PRESS QUOTES
"First comes the sublime recitative “Comfort Ye,” followed by the vocal flourishes of the aria “Ev’ry Valley,” both delivered here with poise by the tenor soloist, Nils Neubert." (Handel: The Messiah)
-The East Hampton Star, Daniel W. Koontz, December 2011"Neubert (The Prince) fuse[s] coloratura pyrotechnics with lyric grace." (Rossini: La Cenerentola)
-Finger Lakes Times, Elena Ciletti, August 2011 “[...] Nils Neubert offered an expressive interpretation of that song [“Adelaide”] and a flirtatious rendition of “The Kiss.” He sounded his most convincing in the dark-hued “Sigh of the Unloved.” (Beethoven: Selected Lieder)
-The New York Times, Vivien Schweitzer, June 2011“[…]the soloists were superb, with the tenor Nils Neubert’s clear, effortless high register perfect for the role of the Evangelist[…]” (Bach: Christmas Oratorio)
-The East Hampton Star, Daniel W. Koontz, December 2010“[…]Nils Neubert contributed solid, graceful readings of the tenor arias[...]” (Kuhnau: Wie schoen leuchtet der Morgenstern)
- The New York Times, Allan Kozinn, August 2010“[…]a remarkably warm lyric tenor[…]”
- Operacast.com, Geoffrey Riggs, August 2010“[…] his attractive tenor, beautifully controlled vibrato and amusing, flexible portrayal of Pygmalion carried the evening.” (Rameau: Pygmalion)
- The New York Times, Allan Kozinn, May 2010"[...] the resident ensemble is first-rate. [...]The performances were energetic and supple, [...] The excellent vocal soloists, who also doubled as the chorus, were [...] Nils Neubert, tenor [...]” (Cantatas by Tunder, Bruhns and Bach)
- The New York Times, Allan Kozinn, September 2009"The energetic interpretations of Stein's quirky libretto [...] and the sweetly modulated tenor of Nils Neubert put the SR Poet into a blissful state the likes of which she had never previously experienced." (Thomson: Four Saints in Three Acts)
- Scene4 Magazine, Karren LaLonde Alenier, April 2009"Giovane e talentuoso" (Young and talented)
- Luccatourismo.it, Lucca, Italy, May 2008
